The Vale Of Pragmatism is being spread a bit thin – life seems a bit too much at the moment, something at best to be endured. This hasn’t been helped by a miserable virus, a dodgy shin (I currently walk with a limp) and a nasty acid stomach. And my wrist hurts.
But rather than dwell on this I’ll try and look to one of the positives of recent months, my rediscovery of listening to music.
One of the saddest things to occur during The 26 Months Of Hell is that I found music, once such a cause of pleasure, very difficult to listen to. *
Music seemed to laugh and scorn me, ‘this music was made by people better than you, its existence shows you up to be the little shit you surely are, listen and feel belittled.’ I also developed a fear of
Damon Albarn, he became a signifier of all who were better than me – with his talent, his one time relationship with
Justine Frishmann, his internationally respected status, his monkey opera. A bit bizarre, I’ve never liked his music.
Music that reminded me of hedonism was out, as I feared such activity might have contributed to my psychosis and depression, so no house or techno. Apart from when I fell of the wagon and headed down Vauxhall way…but that’s sort of another story.
Music that was overtly sexual made no sense; my libido had gone for a walk and forgotten to come home. Anything that talked about love seemed irrelevant, seemingly written for another species, one with a capacity for emotion I could no longer comprehend. Without love and sex, or at least the fantasy of them, much of the world presented to me didn’t make sense.
The result of this was that I stopped listening to music out of choice for 2 years.
The first inklings that music could one day be part of my life again was coming across - someone played it in the office at work - what has to be one of the least ‘Rock ‘n’ Roll’ albums of all time piece, music that seemed unable to trigger negative thought and was devoid of signifiers of my inadequacy. It was a 1955 jazz album titled
Lee Konitz with Warne Marsh. Lee plays alto sax, Warne tenor.

I guess it belongs to the West Coast cool school of jazz. It is certainly devoid of the intensity of much bee-bop – though there is a
Charlie Parker cover. It does swing, but is mellow and easy throughout and is probably the lease sinister album I’ve ever heard. Look at how happy they are on the album cover.
This was some months ago and slowly music has crept back in, though it’s a fairly regulated diet. Jazz features heavily, though nothing too way out or atonal.
Ravi Shakar is good, and more and more classical - especially
Debussy and
Ravel. I like things to be more gentle and contained, or maybe just more subtle. I find most rock guitar based music un-listenable and I’m not really keen on anything with words in it. Apart from
Stevie Wonder and
Daryl Hall/John Oates.
But it’s good to be able to listen to music again, and maybe it’s middle age – I don’t want things to be harsh anymore. Life seems harsh enough.
Whatever, better a life with music than without.
*Just as a point of interest, during The Time Of Blakean Joy I especially enjoyed listening to
The Fiery Furnaces and
Afro Beat.